Tag: Group Facilitation

  • Can a Room Kill You? Yes!

    How to Ensure Your Physical Space Works For You

    Have you ever felt that something’s just not working right, no matter how well you know your material, how confident you came in, or how much you practiced?

    You may be experiencing an attempted “Death by Room.” This malady has knocked many a trainer and presenter to their knees—and kept them there. The disease is preventable. But to overcome it, you must take these tips to heart.

    3 Tips to Prevent “Death by Room”

    1. Ask yourself: What do I want?

    Do you want a dialogue or a monologue? Many presenters espouse one theory (for example, “participation is good,”) but everything they do communicates a different message (like “sit down, look at me, and shut up!”)

    The seating arrangement provides a strong, non-verbal statement from the minute your participants walk in the door. Make sure your room set-up is congruent with your message.

    TIP:

    If you desire interaction, you must provide a seating arrangement that allows participants to talk easily with one another, as well as with you. This may involve using round tables, a “U” shaped set-up, or rectangle tables pushed together. If you must use a “theater style” set-up, ensure that participants can move their chairs into small working groups of 3-5.

    2. Don’t make assumptions.

    Here are a few common assumptions that kill trainers/presenters:

    • “I sent a diagram—I know the room will be set up just like that.”
    • The space doesn’t matter. Content’s the thing.
    • I don’t need to see the room until it’s time for me to start.

    TIP: When possible, set up the room yourself (with help, if necessary.) View the room the night before. If this isn’t possible, arrive at least one hour early. Remember, the way your space is organized can impact your presentation as much as your content knowledge.

    By eliminating your assumptions, you’ll sleep better the night before an important event.

    3. Rehearse in the room.

    There is no way that a professional actor would work in a space in which he or she had not practiced. Professional trainers and presenters make the room their own by visiting it, testing it, and practicing in it.

    TIP: Deliver the first 3-5 minutes of your presentation. Check the acoustics. Does the room absorb your voice, or can it carry with ease? Walk around the area from which you will present. What parts of the room could be blocked from view? Remember that all participants must be able to see you at all times.

    Can a room kill you as a presenter? YES—but only if you allow it to. You can prevent “Death by Room” by attending to these three easy steps.


  • How to Keep Meetings Active and Productive

    As a facilitator, you are responsible for achieving the meeting outcomes, maintaining full participation, and ending on time. How do you maintain meaningful, focused conversation throughout? These five tips will help.

    1.  Playback
    Reiterate what a participant has said as closely as you can. Try not to infer meaning.“Greg, I’m hearing you say that you want this to go a little more slowly. Did I get that right?”

    2.  Consolidate
    Pull together ideas, showing their relationship to each other. “As you can see from Juan’s and Cathy’s comments, there seem to be enough resources and commitment to take this on.”

    3.  Play Devil’s Advocate
    Disagree gently with a participant’s comments to stimulate further discussion. (Remember, you maintain your neutral role even though you put out the Devil’s Advocate statement.) “Is that always the case?” “This has worked elsewhere. What makes this different?”

    4.  Relieve Tension
    State what you see calmly and without evaluation. “Bill and Mary are bringing out two different sides of this issue.” “I see many furrowed brows. Let’s take a quick break to reflect on this.”

    5.  Change the Process
    Alter the method of participation. “Let’s break into small groups to see how many alternate options you can come up with.”

    Try implementing these skills in your next meeting. Chances are, it will move along faster and be more productive.

    Guila Muir is the premiere trainer of trainers, facilitators, and presenters on the West Coast of the United States. Since 1994, she has helped thousands of professionals improve their training, facilitation, and presentation skills. Find out how she can help transform you from a boring expert to a great presenter: www.guilamuir.com

    © Guila Muir.

  • How to Blow Your Credibility from the “Get-Go”

    When you are speaking in front of a group, do you really want to blow your relationship with the audience immediately? These two common presentation behaviors will help to ensure that you do!

    Myth #1: You should start a presentation by thanking your audience or your hosts

    Picture it: You’ve prepared carefully and are about to present. The first words to your audience as you take the stage? “Thank you. I’m glad to be here,” or something similar.

    These words serve many purposes. Quite possibly, you are not really thanking anyone. Instead, you are using the words to ease your way into your position as presenter. You say the words mechanically, not really hearing them yourself, as you peer at the crowd (or not) and shuffle your papers.

    Your attempt is to make yourself comfortable by uttering “Thank you.” Meanwhile, your audience has experienced this robotic opening so many times that:

    1. They don’t really hear it.
    2. “Thank you” means nothing.
    3. They start to tune you out-and you haven’t even started!

    You’ve already wasted an opportunity to connect with your audience, just so that YOU could take a stab at feeling more comfortable as you begin to speak. Was it worth it?

    What to Remember
    Your presentation actually begins two minutes before you take the stage. You should have slipped into your “presenter persona” before you are even introduced. This persona is the authentic YOU—but a little more so. You are alive with energy–pumped up, feeling powerful, and ready to go.

    Within just ten seconds after your taking the stage, you should have engaged your audience’s attention and interest. Simply saying “Thank you, etc., etc., ” won’t accomplish that.

    What to Do
    Take the stage. Stand for 1-2 seconds in silence. Stay connected with your body. Be totally present. Feel your feet, quads, spine, and chest. Fill your body with breath and strength. Breathe, smile, and connect with your audience. Look at audience members and “make friends” with them nonverbally.

    THEN open your mouth to speak. Engage your audience with an anecdote, question, or mental exercise. Be sure that this opening leads fluidly into the body of your presentation.

    To ensure that those first precious moments enhance your presentation and credibility, practice the first few minutes of your presentation at least 4-6 times prior to “showtime.” Your practice should take place in front of a mirror. Begin with pretending that you hear yourself being introduced (or get your spouse or friend to introduce you.)

    Make the motions of getting out of a chair and walking to the front of the room. Then take the stage, and follow the instructions above.

    Why?
    By centering yourself before speaking, you don’t need to fall back on clichés. And when you actually do thank your audience and/or hosts at the end of your presentation, your words will be much more heartfelt, authentic, and heard.

    Myth #2: You should move about as you present

    “You’ve got to be kidding!” I can hear some readers saying. “Some of the best presenters I had in college walked as they talked.” Others will say, “Look, I move around when I give a presentation. It keeps the audience awake!”

    What to Remember
    There is conscious, or deliberate, movement—and then there is its opposite. Many speakers (especially males) demonstrate a kind of unfocused, rambling, back-and-forth movement with their feet. This distracts enormously from their message.

    Focused movement has to do with centering yourself as a speaker. When your mind is jumbled and jumping from thought to thought, you are more likely to move about in a jumbled, unfocused way. When you are truly invested in what you are saying, AND connected via eye contact to your audience, your focus is clearer. You are less apt to aimlessly wander.

    Remember, it’s good to gesture with your arms and hands to enhance the meaning of your words. It is not good to wander the stage as you think out loud.

    What to Do
    Become aware of WHY you are moving. Do you want to address another part of the audience? It’s totally acceptable to move from one side of the stage to another, but then you must STOP to make your point. Gesture dramatically with the top half of your body. Use your hands, arms, and torso. But keep your feet still as you make your important points.

    The best suggestion is simply this: Be interested and invested in what you are saying, and say it directly to the audience as if they were a friend. Chances are, you won’t “wiggle around” so much with this mindset.

    Why?
    Aristotle paced the Lyceum when he was teaching, and Kierkegaard was a proponent of walking while he thought aloud. But today’s world, it’s all about connection with the audience. This means that you face your audience directly and securely, no “bobbling” allowed.

    In Conclusion

    The underlying message of both these Myth-Busters is this: Presenters, be Present! Be 100% “there” for your audience, both physically and mentally.

    Remember that your presentation begins minutes before you take the stage. Get centered and focused before you start talking…and beware of your “wandering ways.”

    Boost your Training Skills with a workshop from Guila. We can also help you improve your  Facilitation and Presentation Skills.

    © Guila Muir.

  • How Do You Know They Know? Designing In-Class Assessment

    How serious are you about your students actually learning? Most of us would say, “VERY serious!” Yet many trainers and instructional designers actually have no idea what, and even if, participants have learned by the end of a session.

    Because trainers operate in organizations and businesses, we typically don’t issue grades. Even in preparing participants for a performance test down the line, we often don’t do a good job of checking in along the way. At best, many trainers rely on “Happy Sheets,” the end-of-class evaluations that mainly determine if the training room was too warm, or the coffee not warm enough.

    It’s hard to know if this lack of attention to assessment in organizational learning can be traced to lethargy, lack of knowledge about how adults learn, or the culture of corporate training itself. Whatever its root, “Warning! Warning!” as the Lost in Space robot used to say on TV. Assessment is so integral to learning that if we don’t do it, we cannot claim to be serious about our participants actually learning.

    The Real Test
    Jane Vella, founder of Global Learning Partners, answers the question, “How do they know they know?” with this answer: “Because they did it!”

    Certainly, the ability to perform is the real assessment of learning. Can the participants do what you promised them they’d be able to do when you developed the learning objectives?

    Although performance is the real test, many corporate trainers don’t have the luxury of following their participants when they return to the workplace. Once they leave our classrooms, it’s impossible for many of us to observe how well participants actually use the new skills.

    Assessment AS Learning
    Research shows that students learn better when they receive feedback early and often. When trainers use in-class assessments, they are able to provide this feedback. The best assessment exercises are fun and engaging (forget the dreaded pop quiz!)

    Try one of these in-class assessment techniques to enrich your training.

    Three Tips for In-Class Assessment
    Tip #1: One-Minute Paper

    When to Use: Midway or later in a training session.

    After delivering important content, ask the participants to write their reflections for a solid minute. Reflections can include how they will actually apply the information, their thoughts and feelings, challenges, etc.

    Collect the (anonymous) papers, read to self, and respond if appropriate.

    Tip #2: Two Insights, One Area of Confusion

    When to Use: Midway or later in a training session.

    Have participants write two insights and one area of confusion based on the information you have provided. Either collect and address in the next module, or have participants read these to a partner, then discuss issues as a class.

    Tip #3: Using Learning Objectives as Assessment Points

    When to Use: Throughout the session.

    Ask a variety of prepared questions based on the session’s learning objectives either to the whole group, or to subgroups.

    Remember: Assessment is part of learning. It’s not an add-on, and it’s not “just for show.” Integrate in-class assessments into your training sessions, and watch the learning soar!

    Read more articles to boost your Training Skills. Learn about Guila Muir’s Train the Trainer Workshops .

    © Guila Muir.

  • 3 Tips to Tame Unruly Meetings, Part Two

    by Guila Muir
    info@guilamuir.com

    The Prickly Role of Meeting Guidelines

    (more…)

  • RULES? Who Needs RULES? Part One

    by Guila Muir
    info@guilamuir.com

    The prickly role of Meeting Guidelines (more…)

  • The “Tuned-In” Facilitator: When and How to Intervene

    Picture this: You’re running a regular, non-eventful meeting when…

    Scenario One: Suddenly, as if some invisible button has been pushed, unexpected emotion erupts from the group.

    Or…Scenario Two: You suddenly sense a strong feeling of resistance from the group. No one says anything about it, but you can’t shake your own awareness of “push-back.”

    Or…Scenario Three: You notice that Bill has his arms crossed over his chest and is rolling his eyes as others talk.

    Have you been there? Is there a “right” thing to do in these instances, and if so, what is it?

    Three Stages of Tuned–In Facilitation

    Stage One: Practice Internal Awareness
    Great facilitators acknowledge the tangible and intangible aspects of the facilitation environment. How does it “feel?” (Is the room set up in a way that adds or detracts from a feeling of open collaboration? What attempts have been made to “de-institutionalize” a sterile environment?) What hints about their emotional states do the participants give as they walk in? What do you see, hear, and feel throughout the meeting?

    Stage Two: Diagnose
    As you notice behavioral shifts, changes in the “feeling” of the meeting, or verbal hints, ask yourself: “What’s going on?” It is this internal, ongoing acknowledgement of dynamics that enables the facilitator to make the right choice: to intervene or not to intervene.

    An example: Susan notices that Pat and John, who are sitting next to each other in a meeting, often speak to each other in low tones. Susan asks herself “What’s going on?” Pat and John could be laughing at her or at the meeting itself, they could be processing information to understand better, they could be discussing last night’s episode of “America’s Next Top Model…”

    Susan realizes that Pat and John will play unique roles in the changes under discussion, so when she thinks, “I bet they’re talking about THAT…” she feels she may have gotten it right. The sense (call it a guess) of “I believe THIS is going on…” is all there is to Stage Two.

    Three essential reminders at Stage Two, the Diagnosis Stage:

    • Your diagnosis is yours alone. It may be off the mark.
    • Your diagnosis guides your actions. Your actions impact the group.
    • You are not obligated to go to the next stage.

    Stage Three: Intervene

    In the example above, Susan will only intervene if she gets the feeling that “Something needs to change.” When the facilitator intervenes, s/he holds up a mirror to the participants so that they can see their own process.

    Here are some questions to ask yourself while deciding whether to intervene:

    • Could this situation go away on its own?
    • Is it necessary to stop the action? Why?
    • What impact will intervening have on the flow of the meeting? The environment?
    • What will happen if I do nothing?

    Here is some helpful language when intervening:

    • I’m noticing that…
    • Let’s stop for a moment and look at what’s going on.
    • It strikes me that…
    • I’d like to suggest…

    A tuned-in facilitator is a good facilitator. And a good facilitator continually decides if and when to intervene in the group’s process.

     


     

    Read more articles about Facilitation Skills. Learn about Guila Muir’s Facilitation Skills Workshop.

    Guila Muir is the premiere trainer of trainers, facilitators, and presenters on the West Coast of the United States. Since 1994, she has helped thousands of professionals improve their training, facilitation, and presentation skills.